You know the drill (I hope), to listen to/download this week's songs (for free by entering 0 when asked to name a price) just use the conveniently located player below or follow this link: http://michaelmorse.bandcamp.com/album/single-a-week-challenge-week-9
It took me a while to get to Chicago. Even though my first exposure to the blues was probably Chicago-style (or derived from) and (as mentioned in my first blog) seeing B.B. King was a very important event in my life, when I got into the blues I went straight for the delta (and some near-by areas) and stayed there. It was seeing Robert Johnson's name in the writing credits of albums by The White Stripes, Cream and Red Hot Chilli Peppers that first got me curious. Who was this guy that wrote these great songs? I had to know! When I finally got to hear the original recordings of "Stop Breaking Down Blues", "Cross Road Blues" and "They're Red Hot" I was hooked. I had been searching for raw, primal music and delta and country blues was it. The grumbling growl of Charley Patton and the bold defiance of Lead Belly was what I needed. At first, Chicago Blues sounded too slick for me, at least what I had heard at that point did. I don't mean to say that there was not any Chicago electric blues that I liked, because there certainly was, but I really preferred earlier rural acoustic blues. I think it was hearing Howlin' Wolf's menacing recording of Willie Dixon's "Spoonful" that really got me interested. Muddy Waters soon followed which of course lead to his harmonica player Little Walter's solo work (probably my favorite Chicago bluesman).
pick a key, any key! |
I was definitely inspired by and thinking about general Chicago blues and Little Walter specifically when writing and recording this week's A-side "Paper Presidents". I had meant it to be slower but for whatever reason (probably the manic punk inside me trying to claw his way out) it didn't come out that way. I touched on my money frustrations in my last overtly blues song in this challenge ("No One Believes In Me But My Mother Blues"). Ohh I could go on and on and on...but I won't! Suffice it to say I hate how much you and I need money. I hate how it controls us and makes our decisions for us. I hate how it opens doors for some and closes those same doors in other's faces. I hate money but like I just wrote, I need it. But that doesn't mean we can't have fun without it. I encourage anyone and everyone reading this to have as much fun as you can without touching your wallets.
The recording of "Paper Presidents" gave me some difficulty, especially with timing the guitar stops but I think it came together nicely. I admit it's kind of sloppy, most of my recordings are, but I hope that adds more charm than distraction. I didn't realize I had forgotten to add a bass to the song until after I did the final mix-down (oops) but thought it sounded fine without it. I plugged my new Egg-Static in my little Vox and turned up the gain and turned down the tone to try to get that dirty Chicago sound.
Egg-Statics are a girl's best friend |
The cover design is based on Chess Records' 50th anniversary "best of" collections. Whoever designed those did a great job, they fit the content so well, exactly the way a cover should. I donned stereotypical blues garb, sunglasses and fedora, for the picture which was taken by my mother. To relate it to the A-side "Paper Presidents", I used the only money I had at the time (a 1 and a 5) to make origami rings to wear. That 5 dollar bill has since been given to Wendy Thomas in exchange for one of her burgers and a salad.
source of my money folding secrets... |
9 down, 43 to go!
MJM
http://michaelmorse.bandcamp.com/album/single-a-week-challenge-week-9
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